Monthly Archives: January 2023

OR: Bad Blood

A review that originally appeared in Black Static #29:- Released exclusively in e-book format, BAD BLOOD (Abaddon e-book, 135pp, £2.99) is the sequel to Chuck Wendig’s novel Double Dead, continuing the adventures of Coburn, a vampire who is trying to … Continue reading

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Funeral for a Friend/Love Lies Bleeding

The first track from Elton’s 1973 album Goodbye Yellow Brick Road.

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NR: The Casebook of Victor Frankenstein

The Casebook of Victor Frankenstein is the ninth novel I’ve read by Peter Ackroyd. It was published in 2009 but I picked up a copy late last year in Poundland of all places, and I’m glad that I did, since … Continue reading

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OR: The Concrete Grove

A review that originally appeared in Black Static #26:- McMahon’s other recent release didn’t beguile me in quite the same way, if beguile is the right word (and with strong emphasis on ‘quite’). THE CONCRETE GROVE (Solaris paperback, 384pp, £7.99) … Continue reading

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Trailer Trash – Unwelcome

Goblins in the garden?

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OR: Dead Bad Things

A review that originally appeared in Black Static #26:- DEAD BAD THINGS (Angry Robot paperback, 352pp, £7.99) by Gary McMahon is billed as ‘A Thomas Usher Novel’, and is also the second volume in a series. Like Charlie Parker*, Usher … Continue reading

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Watch That Man

And here is David Bowie in his Ziggy persona performing the first track from the Aladdin Sane album, which turns fifty years old this year.

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NR: Breathe

I knew the name Cliff McNish but hadn’t read anything by him when I saw Breathe going for 25p in a charity shop and was reeled in by the tag line ‘A Ghost Story’. I think I got value for … Continue reading

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OR: Eat Your Heart Out

A review that originally appeared in Black Static #27:- Dayna Ingram’s EAT YOUR HEART OUT (Brazenhead paperback, 135pp, $13) is the first release from the new Lethe Press imprint, whose mission statement is to publish ‘exceptional novellas of queer speculative … Continue reading

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Trailer Trash -The Fabelmans

Nobody does sentimentality and nostalgia quite as well as Speilberg.

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